I’ve noticed that many metal bands today are looking for a ‘grand’ or ‘epic’ sound in their music. Much of it is about the production value of the piece, but it has started to make its way into the writing of the music. It’s something that I feel is somewhat in its infancy, but it is released like Aamamata by Helevorn that are starting to bring these sorts of ideas to the forefront of metal.
The release has a certain drone feeling mixed with some old school goth. I usually find this sort of thing a little much, but rest assured, it’s expertly executed. Brunet’s voice is nice and strong. His clean voice can sometimes fall strangely on the ear, which I think would clear with repeat listens.
His death voice is reminiscent of Åkerfeldt and hits a sweet spot.
The clean guitar is packed full of emotion and works on a level all by itself, independent of the thunderous dirty guitar.
The presence of the female voice in Aurora and The Path To Puya adds some fantastic contrast. The tragedy of the music is really turned up in these sections and I am a massive fan of that. Some sections have a Middle Eastern feel and the piano endings to Forgotten Fields and Nostrum Mare are as sweet as they come. These elements all add to the grand tapestry of this album and like all works of art, must be analysed to be fully appreciated.
Helevorn’s Aamamata is an exploration of epic writing – and this brave new world seems to be the focus of metal of late. Suitable for those who like to conduct while they listen to their metal.
Release Year: 2019
Label: Solitude Productions
Category: Album
Country: Spain
Reviewer: Liam Frost-Camilleri
