‘On the Earth, under the Sky’’ is a track that defies normal description. The raw production adds to the authenticity of the eighties-inspired speed assault, yet the vocals are that haunting Norge-inspired element with whispered invocations and the acoustic refrain that reverberates long in the psyche after it is finished. It then morphs into a mighty doom-laden riff that surprises yet makes the track infinitely heavier and more dimensional.
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Hailing from Melbourne, Australia, the Wildeornes is described as blackened doom Metal, yet it is so much more. I have to admit the Bathory- esque touches are a brilliant addition, and the riffing is a lot sharper than expected for doom metal and is an ambitious double-concept album. Tracks 1-5 are new, whilst 6-9 are re-workings from 2021’s’’ Gæð wyrd a swa hio scel’’, that explore the eastern and Western existential philosophy, deep ecology, and Celtic, Anglo-Saxon, and Norse mythologies.
Intended as a release to celebrate the tenth anniversary of their debut album in 2022, On the Earth Under the Sky now celebrates the southern hemisphere Samhain with a rich, atmospheric, and unashamedly heavy album. The pure doom of ‘’Mouth of the River” is matched by the power and the opening solo of “Under Oak “that invokes both psychedelic past, present and future.
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Wildeornes music is enticing as the riffs lure you in. Nothing is predictable their music is emotive, honest, and inventive.
On the Earth Under the Sky is an album for those who like their metal combined with deep thought, Wildeornes weave a seductive tapestry that is as intense as it is subtle, progressive as it is raw and incredibly coherent in its representation of man and his traditions.
Wildeornes: Facebook
Release Year: 2023
Label: self-released
Category: Album
Country: Australia
Reviewed by Sparky
